It was 2006, and it had been several years since I had last visited Buenos Aires, so it was good to venture out and explore the place. Wandering along the docks of Puerto Madero, and enjoying the music and food of this fascinating district, I spotted a distinctive and elegant structure which I didn’t recognise. On closer inspection, I discovered that it was a rotating pedestrian bridge named El Puente de La Mujer or Woman’s Bridge. Now, I had made the rookie mistake of keeping a polarising filter on my camera lens most of the time which had the effect of creating very dark and uneven skies in a lot of my photos. However, in this close-up of the bridge’s central steel needle, the contrast between dark and light is dramatic to say the least, but which I think works.
We had made a very early start to the day, it was well before sunrise, for our journey to some fields near Hpa An in Myanmar. Traipsing across the fields, surrounded by the irregularity of the karst landscape, we soon reached our objective where we saw a handful of women hand-cutting the crops. Here, an older woman greeted us with a smile, perhaps somewhat surprised that we wanted to take photographs of her and her co-workers.
The Mursi are one of the many tribes in the Omo Valley in southern Ethiopia. They have an aggressive reputation and keep large herds of cattle, but these days increasingly rely on tourists to obtain money by going that extra mile to decorate themselves. The lip-plates are real, but I am sceptical that the other decorations reflect genuine Mursi culture. Certainly not your every-day-wear but probably used often for special occasions.
When I took this shot a few years ago in Myanmar, I thought that the photo would be a failure due to the extreme dynamic range involved. It was hand-held, shot into the sun, with the main subject being the Padaung woman in the shade. I revisited that photo quite recently and found, to my surprise, that it actually had a lot of information, and was close to my vision. So here it is in all its glory.