There are quite a few different tribes in the Omo Valley of Ethiopia, each with their distinctive customs. Here we have a portrait of a woman from the Hamar tribe. This tribe is known for their bull-jumping ceremonies, which is accompanied by women inviting the men to whip them, often bloody and leaving permanent scars, as a show of their worth, dedication, and devotion.
My pitch for an Accidental Renaissance photo. I took this whilst sheltering from the rain in one of the covered entrances to the courtyard of the Jama Masjid mosque in Old Delhi, India. Photo taken in February 2019.
It was 2006, and it had been several years since I had last visited Buenos Aires, so it was good to venture out and explore the place. Wandering along the docks of Puerto Madero, and enjoying the music and food of this fascinating district, I spotted a distinctive and elegant structure which I didn’t recognise. On closer inspection, I discovered that it was a rotating pedestrian bridge named El Puente de La Mujer or Woman’s Bridge. Now, I had made the rookie mistake of keeping a polarising filter on my camera lens most of the time which had the effect of creating very dark and uneven skies in a lot of my photos. However, in this close-up of the bridge’s central steel needle, the contrast between dark and light is dramatic to say the least, but which I think works.
We had made a very early start to the day, it was well before sunrise, for our journey to some fields near Hpa An in Myanmar. Traipsing across the fields, surrounded by the irregularity of the karst landscape, we soon reached our objective where we saw a handful of women hand-cutting the crops. Here, an older woman greeted us with a smile, perhaps somewhat surprised that we wanted to take photographs of her and her co-workers.
The Mursi are one of the many tribes in the Omo Valley in southern Ethiopia. They have an aggressive reputation and keep large herds of cattle, but these days increasingly rely on tourists to obtain money by going that extra mile to decorate themselves. The lip-plates are real, but I am sceptical that the other decorations reflect genuine Mursi culture. Certainly not your every-day-wear but probably used often for special occasions.