We had made a very early start to the day, it was well before sunrise, for our journey to some fields near Hpa An in Myanmar. Traipsing across the fields, surrounded by the irregularity of the karst landscape, we soon reached our objective where we saw a handful of women hand-cutting the crops. Here, an older woman greeted us with a smile, perhaps somewhat surprised that we wanted to take photographs of her and her co-workers.
A unique view of the dead, desiccated trees of Deadvlei in Namibia which I photographed in August 2015.
“Deadvlei” from the English word “dead” and the Afrikaans word “vlei” for marsh. It was once an area fed by the Tsauchab River where trees and other plants flourished. Perhaps 600-700 years ago, maybe 900 years ago, the changing climate and encroaching sand dunes conspired to cut-off the water supply, killing-off the trees and most of the plants.
Today, visitors are greeted by an eerie but spectacular sight. Illuminated by the brilliant blue skies, a white clay pan is surrounded by rust-coloured sand dunes which are reputed to be some of the highest in the world at over 1,312 feet (400 metres). And the trees; dead, desiccated, and scorched black by the sun. Truly a forest of the dead.
In the Omo Valley, Ethiopia. Towards sunset, the goat herders of the Kara tribe were bringing their goats back to the village. With the red of the sunlight filtering through the dust, I jumped straight in with my camera, sometimes through thorns on my hands and knees, but was fortunate to have captured some beautiful scenes.
When I took this shot a few years ago in Myanmar, I thought that the photo would be a failure due to the extreme dynamic range involved. It was hand-held, shot into the sun, with the main subject being the Padaung woman in the shade. I revisited that photo quite recently and found, to my surprise, that it actually had a lot of information, and was close to my vision. So here it is in all its glory.