In the Omo Valley, Ethiopia. Towards sunset, the goat herders of the Kara tribe were bringing their goats back to the village. With the red of the sunlight filtering through the dust, I jumped straight in with my camera, sometimes through thorns on my hands and knees, but was fortunate to have captured some beautiful scenes.
The annual Lake Turkana festivities see around a dozen tribes, mainly from northern Kenya, take part in cultural exchanges and traditional dances. It’s quite a fascinating couple of days and provides opportunities to see local tribes who are not normally on a safarist’s bucket list. For example, I found one local El Molo village to be just a few rudimentary huts loosely strewn together, surviving largely through fishing. A dwindling tribe, the El Molo may soon disappear through assimilation and intermarriage with other local tribes.
With the day’s festivities finished and with the onset of twilight, a few miles from the nearest village, the tribes of the Turkana and Samburu dance well into dusk on the windswept shores of Lake Turkana. Seeing the tribes enjoying each other’s company, it can sometimes be difficult to remember that cattle-stealing is causing much strife between the different tribes. But initiatives such as the Lake Turkana festival will help promote trust and understanding.
A cold night meant a cold start to the day in Namibia, even here right up against the Angolan border. Taking advantage of the cold before the heat arrived, I began exploring the rather small Himba village. Much there was to see with the inhabitants shaking off the night. A particular highlight was when I made eye contact with this boy wrapped in a blanket.
When I took this shot a few years ago in Myanmar, I thought that the photo would be a failure due to the extreme dynamic range involved. It was hand-held, shot into the sun, with the main subject being the Padaung woman in the shade. I revisited that photo quite recently and found, to my surprise, that it actually had a lot of information, and was close to my vision. So here it is in all its glory.
Wandering around Hpa An in Myanmar, we made our way through the courtyard into the large Hindu temple. Dark but brightly decorated inside, with the main door overlaid with intricately patterned brass or bronze, this was likely the main (perhaps only) Hindu temple in town. It was quiet and I was pretty much free to walk around the place. Here, a Hindu priest relaxes by a window, reading a magazine.
In southern Iraq, just a few miles from the Iranian border. It was another hot day, and I was standing outside the structure called Ezra’s Tomb. Nearby, three kids were peeking through a doorway, their faces in obvious delight at the interest being shown to them by my camera. But the countless horrors of people killing other people will touch their lives in countless ways, and I wonder if they still smile. But I have hope.
When I first took up photography as a hobby, it was important to me that photos be taken in full-manual mode as I thought that doing so would give me insight on exposure settings. I’m not entirely sure how successful that method was, but it sure did make me a slow photographer! I now shoot almost invariably in aperture-priority mode. A piece of nostalgia for me, here is a photo from my manual exposure period, of a scene in Antarctica with extreme light and dark.
A trip to the ancient ruins near the village of Indein in Myanmar required a pre-dawn boat ride to ensure we got there early and make the best use of available light. It was cold on that boat ride, and I was wearing layers of clothing to keep warm, but I knew in a few hours it would be stifling hot. You make do. It was already warm by the time we arrived at Indein, and the locals were preparing for the day. This was still just the start of the journey to the ruins, but I made sure that I stocked up on liquids from the local stalls before setting off from the village. Here, a young girl was selling various cloth, happy to interact with us.