The annual Lake Turkana festivities see around a dozen tribes, mainly from northern Kenya, take part in cultural exchanges and traditional dances. It’s quite a fascinating couple of days and provides opportunities to see local tribes who are not normally on a safarist’s bucket list. For example, I found one local El Molo village to be just a few rudimentary huts loosely strewn together, surviving largely through fishing. A dwindling tribe, the El Molo may soon disappear through assimilation and intermarriage with other local tribes.
With the day’s festivities finished and with the onset of twilight, a few miles from the nearest village, the tribes of the Turkana and Samburu dance well into dusk on the windswept shores of Lake Turkana. Seeing the tribes enjoying each other’s company, it can sometimes be difficult to remember that cattle-stealing is causing much strife between the different tribes. But initiatives such as the Lake Turkana festival will help promote trust and understanding.
When I took this shot a few years ago in Myanmar, I thought that the photo would be a failure due to the extreme dynamic range involved. It was hand-held, shot into the sun, with the main subject being the Padaung woman in the shade. I revisited that photo quite recently and found, to my surprise, that it actually had a lot of information, and was close to my vision. So here it is in all its glory.
Venturing around the mountainous region of Chin State in Myanmar, sometimes on foot, sometimes on vehicle, we came across small towns and villages nestled on mountain sides or hidden in remote valleys.
Especially in the more remote regions, villagers have tended to tattoo their faces, and adorn their buildings with the skulls of mithuns, an ox-like animal that is found throughout the region. Here, a young girl, sporting the traditional thanaka decoration on her face, poses outside one of these buildings.
I’d spent a couple of days at the Lake Turkana Festival in Kenya, and the days had been hot and humid. Our last night there, dusk had arrived, and with it a fall in temperatures, allowing me to join in with the tribal dances. Pictured are members of the Samburu tribe singing and dancing well into the evening. It was a great night out.
This lady was hard at work in a refuse dump out in the country, several miles from the nearest town. Some of the refuse had been set ablaze and, as I ventured further in, my throat and nose became the first casualties in the onslaught brought on by the thick acrid smoke. There were two benefits though; where there was an abundance of smoke, there was a scarcity of flies, and the rotting stink from the refuse was masked. You pick your poison.
The heat of the sun, coupled with the heat of the fires, did not help. The lady worked on, moving piles of refuse from one area to another, sorting out those that should be burnt, those that should be buried, and those that could be scavenged. This was a hell to me. But these people suffer and endure. She looked over to us, and smiled.
This young girl became curious and came over to us strangers at a site being prepared for the Karen New Year festivities in a rural village. The celebrations continued long into the night. This was a few miles from Hpa An, Myanmar (Burma). Photo taken in December 2014.
In southern Iraq, just a few miles from the Iranian border. It was another hot day, and I was standing outside the structure called Ezra’s Tomb. Nearby, three kids were peeking through a doorway, their faces in obvious delight at the interest being shown to them by my camera. But the countless horrors of people killing other people will touch their lives in countless ways, and I wonder if they still smile. But I have hope.
Iraq, not too long ago. I was heading out on foot across the desert, battling through a sandstorm, to reach the ruins of Uruk, that ancient city famous for its part in the Epic of Gilgamesh. Not too far from here, alone and remote, a small village eke out a living. The sandstorm had imparted a reddish-yellow colour to the entire scene but I was recently able to correct for this and, in the process, recover this engaging image of a young girl near the village edge.