“Deadvlei” from the English word “dead” and the Afrikaans word “vlei” for marsh. It was once an area fed by the Tsauchab River where trees and other plants flourished. Perhaps 600-700 years ago, maybe 900 years ago, the changing climate and encroaching sand dunes conspired to cut-off the water supply, killing-off the trees and most of the plants.
Today, visitors are greeted by an eerie but spectacular sight. Illuminated by the brilliant blue skies, a white clay pan is surrounded by rust-coloured sand dunes which are reputed to be some of the highest in the world at over 1,312 feet (400 metres). And the trees; dead, desiccated, and scorched black by the sun. Truly a forest of the dead.
In the Omo Valley, Ethiopia. Towards sunset, the goat herders of the Kara tribe were bringing their goats back to the village. With the red of the sunlight filtering through the dust, I jumped straight in with my camera, sometimes through thorns on my hands and knees, but was fortunate to have captured some beautiful scenes.
When I took this shot a few years ago in Myanmar, I thought that the photo would be a failure due to the extreme dynamic range involved. It was hand-held, shot into the sun, with the main subject being the Padaung woman in the shade. I revisited that photo quite recently and found, to my surprise, that it actually had a lot of information, and was close to my vision. So here it is in all its glory.
After a long day in Amboseli National Park in Kenya, it was time to return to the lodge. Venturing back, we were greeted by this wonderful view of Mt Kilimanjaro, the clouds ablaze in the colours of sunset. Photo taken in May 2017.
I was exploring the relationships between photos and considered that contrasting colours could form a thematic link . So here is an expression of that thought with two photos; one from my trip to Bhutan in 2004, and the other from my trip Chile in 2006 .
The flowers in my garden provide a sweeping swathe of bright colours when the sun comes out. Whilst closely admiring one of my yellow dahlias, I noticed that, with the bright yellows, it was easy to overlook the delicate textures of the flower. Hoping that a black-and-white treatment would bring out the details, I present the result here. Enjoy!